A new character profile has been posted, for Hebu, the Nemoi scribe in The Heirs of Lydin and The Slaves of the Horned God.
Worldbuilding is an important part of the craft of writing fantasy. According to Google, it is defined as follows:
Worldbuilding is the process of constructing an imaginary world, sometimes associated with a whole fictional universe. The term “world–building” was first used in the Edinburgh Review in December 1820 and appeared in A.S.
Inspired by some questions from my niece about how to tackle worldbuilding in fantasy, I thought I’d share some of the things I’d learned over the years building my world, mainly from doing the wrong things.
Things you don’t want
Cultures or people existing side-by-side yet with no apparent interactions. Wars, racial intermixing and cultural exchanges should all take place when people live cheek by jowl. The melting pot is not a modern phenomenon.
The original conception of my world when I was quite young was full of cultures with real-world counterparts I found interesting, all lumped together with no rhyme or reason: 1001 Arabian Nights next to 12th-century England, next to 14th century Japan, next to stone-age Africa. Each of these places should have been influenced by its neighbours, rather than being plucked wholesale from the real world (where they are all influenced by their historical neighbours).
Bizarro Terrain Climate
Warm deserts next to cold forests, rivers that go nowhere, cities in the middle of continents with no apparent water source. This is a pet-peeve with fantasy worlds, particularly evident on maps that were not well thought out.
I was certainly guilty of this in my youth, as the original maps for my world had rivers that both started and terminated at the ocean (rather than flowing naturally in the quickest route from high ground to the ocean) and Arabian-style desert next to a northern European temperature forest. I also had hot deserts at too high a latitude and mountain ranges in bizarre places.
Things you do want
Consistent rules in your fictional world are a must. If you establish that magic works in a particular way, then you must be consistent with that. Exceptions must be significant enough to warrant the attention that the reader will place on them.
For instance, if you establish that magic in your world is able to create fire and ice, yet cannot heal a person nor bring them back to life, and you then introduce a magician who can do absolutely that, you damn well better have a good explanation for it, one that is not a cop out and of plot significance.
Important for ongoing series, or in multiple works set in the same world. Mention important persons, places and events as name drops at first, so that when they become significant in later works, they don’t seem to come out of nowhere.
For example knowing that your characters are going to visit the land of “Borf” in a later work, you add a reference to “Borf” in dialogue in a way that the casual reader might skip over. Then when a reader sees the place in the later work, they will be able to remember it from its first mention, creating a better sense of the world a real, living place rather than a stitched together concoction of plot-important places and characters.
On Friday, a book jumped to the #1 spot on Amazon, out of nowhere; it quickly became obvious that the author had used a clickfarm to gatecrash the charts.
The Kindle Store is officially broken.
This is not the first time this has happened and Amazon’s continued inaction is increasingly baffling. Last Sunday, a clickfarmed title also hit #1 in the Kindle Store. And Amazon took no action.
Over the last six weeks, one particularly brazen author has put four separate titles in the Top 10, and Amazon did nothing whatsoever. There are many such examples.
I wrote at the start of June about how scammers were taking over Amazon’s free charts. That post led to a phone conversation with KDP’s Executive Customer Relations.
Repeated assurances were given that the entire leadership team at Amazon was taking the scammer problem very seriously indeed. But it was also stressed that the…
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The first reviews for SPFBO2017 are up, and while The Grey Mage was one of the first eliminated, Jared from Pornokitsch has left a nice review.
The Grey Mage by Aidan Hennessy. Aelzandar, an outcast elf, boldly escapes from slavery, and, at the point of recapture, is saved by a pair of wizards. They take him to their master – the Grey Mage. Cassian is the third-most powerful wizard in the land (I envision this like the old index card-based ‘ladder’ hinging in a school gym), and so-called because he refuses to join with either the White or Black mages, preferring to further his own ambitions. Aelzandar fits in with Cassian’s crew as a cook, steward and general dogsbody, giving him ample opportunity to observe and admire his master’s adventures. The initial set-up is a slightly false steer, as Aelzandar is largely a blank (he has his own Special Destiny woven in, and it has a role at the end, but he’s actually more interesting as a neutral observer). The magic system is pleasantly abstract, and has Lovecraftian elements that help showcase exactly how weird and unknowable magic can be. The Grey Mage is a quick read, and a light one.
Click here to see the post in full, along with the other 25 eliminated contenders, and the four semi-finalists.
Hop on over to Goodreads.com where I’m offering complementary review copies of The Heirs of Lydin through the Read it and Reap program.
Check it out here.